Amazing!!! This Science of ‘as above so below’ is the most ancient universal system of harmonizing man with his natural surrounds! The stars above and the stars below, i.e.: our own bodies. Mankind is in harmony with Nature only when he realizes that he is the microcosm of the Universe and a Galaxy unto himself.
Man has lost this profound knowledge over the past few thousand years due to the Precession of the Equinoxes. The dark history of the recent past was foretold by the ancients. Hesiod, Hermes and many others foretold a time when the understanding of the sacred truths would become obscure and the knowledge would have to go underground to be preserved for a future time. That time has now arrived.
My father in law has just released a new short animation called Alphega. I wanted to share his amazing film on my channel to help promote his work. He is a free-lance illustrator, fine artist and computer animator so if you, or anyone you know works in this field and might need some help working on projects then this is your guy!
+Computer Animator
+Free Lance Illustrator
+Fine Artist
“Alphega, Part 1 is a short animated film that I produced while in Sheridan College’s Post-Grad Computer Animation Program. It’s the first couple of minutes of what I hope will eventually be an 8 to 10 minute film. I won’t go into too much commentary on what’s happening in this first part of the film because that might reveal more than I want to and possibly spoil it for the viewer when I finally present the entire film. I will say that the story line has quite a deep curve to it and the character goes through some extremes during the ensuing adventures – this first part is really just introducing the character. It’s sort of a teaser for the film I still hope to create.” -Risto Turunen
This is a compilation of various animation exercises and projects I completed while attending Sheridan College’s Post-Grad Computer Animation Program.
I should point out that the young male character and the wooden mannequin that appear in a few of these clips were not created by me but rather, are supplied by the school for us to perfect our animation skills.
In the first clip with the Captain Marvel toy, which I titled, “Takeoff” everything was conceived, modeled, lit and animated by me. The project was to create a 10 second interstitial involving a toy intended for an animation or kids oriented TV channel. . For those of you who aren’t familiar with the term “interstitial”, it’s one of those short buffers TV stations put in when a show breaks for commercials. I saw this as a good opportunity to have some fun with our societies fascination with the strong, powerful, macho male stereotype.
The second clip is a lip sync exercise using an audio clip I’m sure many of you will recognize from a movie I personally think highly of.
Then there’s the ubiquitous “Walk Cycle” in which we animate 2 seconds of walking that can be played on a continuous loop if desired. And yes, I know the mannequin walks like John Travolta from the opening sequence of the movie Saturday Night Fever.
Then there’s a jump exercise were I thought I would get more use out of my Captain Marvel figure.
Next is the “Turn and Walk” exercise. Although the point of the exercise is to animate our figure turning and walking, we were encouraged to embellish the shot by putting those actions within some other action or scene. I chose to illustrate a point you tend to learn as you accumulate more years on this crazy, mixed up planet; That is, sometimes the roadblocks we experience in life can be the best things that happen to us.
And I end with a short clip from my main project of the year, which I titled “Alphega”.
I guess what you could think: Another movie promising to reveal a secret hidden for centuries, a kind of a Da Vinci Code trip… Of course, the trailer may let think this… BUT, THIS IS A REALLY SERIOUS WORK.
I’ve red many books on this subject, and I was almost always frustrated at the end, till I met a brilliant searcher, who was working for years on it.
All what is shown is based on facts, interviews of scientist, searchers, architects and engineers, and won’t collapse at the middle of the movie !
I promise you one thing : wether you agree or not to our conclusion, this will FOREVER change the way you look at our planet. Now let’s read the official synopsis :
“For centuries, the Great Pyramids have fascinated Mankind.
From China to Peru, from Egypt to Mexico, through the world’s most enigmatic and most beautiful sites, the director has spent 6 years meeting eminent scientific specialists and verifying his discoveries. The result will shake the teaching of history to its very core, and revolutionize Egyptology entirely. A great odyssey along a breathtaking route climaxes in a revelation as unexpected as it is staggering.”
Bill Wood talks his experience with Project Looking Glass and the convergence of all timelines seen at the end of 2012.
A LIVE 3 hour marathon Q & A with Kerry Cassidy, David Wilcock and Bill Ryan and the audience of some 3,000 viewers … this version has been edited to begin without delay from technical issues in the beginning.
Well, I suppose it’s an invitation to describe a DMT trip, which is never to be passed up. Because … I think what we’re talking about here is a continuum, I’m talking about a very narrow band of experience. A continuum of experience that comes through tryptamine hallucinogens: DMT, Psilocybin, and the DMT-Harmine combination… and that’s it… Mescaline doesn’t, isn’t what I’m talking about. Ketamine certainly isn’t what I’m talking about. Datura certainly isn’t what I’m talking about. And some of these are plants, and some of them are synthetic drugs, but it’s a very narrow spectrum of these highly visionary ones, and then the most visionary, the quintessence is DMT. I mean, I think that DMT is as intense as any drug should ever get; I don’t ever want to be more loaded than that. I don’t think you can be more loaded than that and come back. You know? What happens on DMT for me, and this is based on, you know, composite image of many experiences, and I’ve confirmed it to some degree with other people, but I was talking to somebody the other day, somebody who had just done it, and I said, “what did you think?” and they said: “It’s the most idiosyncratic thing there is.” and I thought, what a wonderful description, that’s exactly what it is – it’s pure idiosyncraticness. It’s so idiosyncratic that’s all there’s there – it’s like idiosyncracy without an object, is what DMT is.
When you smoke this, the onset is very rapid. 30-45 seconds, you know? There’s this feeling which comes over your body – half arousal, half anaesthesia. The air appears to suddenly have been sucked out of the room because all the colors brighten visibly, as though some intervening medium has been removed. And then there’s a sound, like a piece of bread wrapper or cellophane being scrunched up and thrown away. A friend of mine says this is radio-entelechy leaving the anterior fontanelle at the top of your head. [laughter] I’m not sure I want to line up with that… but a membrane is being ripped; something is being torn. And then there is a total (what Mircea Eliade called in a wonderful phrase) “a complete rupture of the mundane plane”. [laughter] You know? That’s like a hit and run accident except the car came from hyperspace, you know? A complete rupture of the mundane plane. And you fall back into this hallucinogenic space, and what you see is a slowly rotating red and orange kind of thing, which, over the years we’ve nicknamed, uh, “The Chrysanthemum.” And it’s.. this represents some kind of disequilibrium state that has its roots in the synapses. What’s happening as you’re watching this Chrysanthemum is that millions and then hundreds of millions of DMT molecules are rushing into these serotonin bond sites in the synaptic cleft and disrupting the serotonin and switching the electron spin resonance signature of these neural junctions in this “other” direction. And this is taking, you know, 30 or 40 seconds, and there’s this rising hum, this
____nnnmmmmMMMMMMMM^^^^
that rising tone; the flying saucer tone of Hollywood B movies… you actually hear this thing.
And then, if you’ve taken enough DMT (and it has to do entirely with physical capacity: Did you take, did you cross the threshold?) something happens [clap]… for which there are no words. A membrane is rent, and you are propelled into this “place.” And language cannot describe it – accurately. Therefore I will inaccurately describe it.
The rest is now lies. When you break into this space, you have several impressions simultaneously that are a kind of gestalt: First of all (and why, I don’t know) you have the impression that you are underground – far underground – you can’t say why, but there’s just this feeling of immense weight above you but you’re in a large space, a vaulted dome. People even call it “The DMT dome” I have said, had people say to me, “Have you been under the dome?” and I knew exactly what they meant.
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